Literary film – Semiospectacle http://semiospectacle.com/ Sun, 05 Dec 2021 00:24:07 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://semiospectacle.com/wp-content/uploads/2021/10/icon-120x120.jpg Literary film – Semiospectacle http://semiospectacle.com/ 32 32 Daniel Radcliffe recalls making a fan pass out after brushing his arm https://semiospectacle.com/daniel-radcliffe-recalls-making-a-fan-pass-out-after-brushing-his-arm/ Sat, 04 Dec 2021 21:32:00 +0000 https://semiospectacle.com/daniel-radcliffe-recalls-making-a-fan-pass-out-after-brushing-his-arm/ Daniel Radcliffe fondly recalls a story about a publicity event in Japan where he accidentally brushed a girl’s arm and she instantly passed out. Harry potter Star Daniel Radcliffe recalls a funny story about a girl who passed out after he accidentally touched her at a publicity event. Radcliffe first played the role of iconic […]]]>

Daniel Radcliffe fondly recalls a story about a publicity event in Japan where he accidentally brushed a girl’s arm and she instantly passed out.

Harry potter Star Daniel Radcliffe recalls a funny story about a girl who passed out after he accidentally touched her at a publicity event. Radcliffe first played the role of iconic literary wizard Harry Potter in the 2001s Harry potter and the sorcerer’s stone, just 4 years after the release of the original internationally successful children’s book, which had already spawned 3 of its 6 sequels by that time. Harry Potter was such a phenomenon that the previously unknown child actor Daniel Radcliffe, who had only held two small roles before, was instantly promoted to superstar status.

As well as being the frontman of a hugely popular global phenomenon movie series, Radcliffe has also become a crush on many young fans. Because of the way the movies were shot, the young Harry Potter stars grew up more or less alongside the fans watching them, and once the actors and their audiences hit their teens, the stars – in especially Radcliffe – have become major objects of hormones. -the affection trained. No boy group from the early 2000s could compare to Harry Potter’s massive appeal when the time came.

VIDEO OF THE DAY

Related: Harry Potter Theory Completely Changes What It Means To Be Gryffindor

Appearing on The Jonathan Ross ShowDaniel Radcliffe recalled a particularly amusing moment in the height of his Harry Potter glory. During an advertising event in Japan, he accidentally touched a young girl’s arm. He apologized to her and “Boom! Fainted.“The combination of Daniel Radcliffe touching her and talking to her turned out to be too strong and she passed out completely. Radcliffe made sure to take a moment to appreciate what had just happened because”it doesn’t last forever. “Read the full quote below:


I was visiting a Japanese school for a publicity trick … and literally brushed a young girl [on the arm] as I walked past her and said, ‘Oh, I’m so sorry.’ And boom! Fainted. I brushed her off and talked to her and [it] was too much. And she passed out.

Daniel Radcliffe in Harry Potter and the Deathly Hallows

Daniel Radcliffe is still more or less synonymous with the role of Harry Potter as he hasn’t tried much since then to seek big-budget blockbuster glory. After playing in the final Harry potter film in 2011, he continued to choose projects that were more personally interesting and idiosyncratic because he had the financial freedom to pursue his career in the direction he wanted. This led him to pursue roles in quirky films like Akimbo rifles and Swiss army man, which are certainly of interest to the public but do not have the same mass appeal.

This interaction with fans of Harry potter is probably a lot more satisfying to remember than some of the star’s later encounters. Daniel Radcliffe recently shared a story of watching people’s faces turn pale when he informed them that he is over 30 now, proving that there is a dark side to growing up with his fans. However, he and audiences around the world will always have the phenomenon that was Harry potter look back fondly.

Next: Harry Potter Needs New Sequel With Original Stars More Than Spin-offs

Source: The Jonathan Ross Show

  • Fantastic Beasts: Secrets of Dumbledore (2022)Release date: April 15, 2022

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Spider-Man: No Way Home has not yet been completed


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The Riordan Report: November news from the literary world of Rick Riordan https://semiospectacle.com/the-riordan-report-november-news-from-the-literary-world-of-rick-riordan/ Wed, 01 Dec 2021 01:59:32 +0000 https://semiospectacle.com/the-riordan-report-november-news-from-the-literary-world-of-rick-riordan/ November has passed and all that’s left for the month to do is recap what’s been happening in the literary and big-screen world of Rick Riordan, as well as what’s new with the authors of Rick Riordan Presents. Of the page Daughter of the Deep hit North American bookstores like a tidal wave on October […]]]>

November has passed and all that’s left for the month to do is recap what’s been happening in the literary and big-screen world of Rick Riordan, as well as what’s new with the authors of Rick Riordan Presents.

Of the page

Daughter of the Deep hit North American bookstores like a tidal wave on October 26 and continues to be on the bestseller list through November. Riordan’s latest book is unique among its library of stories, as it is designed to be a stand-alone story that readers can access without having to read previous books.

The upcoming Percy Jackson libretto that Riordan is collaborating on with Mark Oshiro is still on track for publication in the summer of 2023. Riordan has announced that he will tackle Oshiro’s manuscript soon. This new book will be Riordan’s first collaboration and will give Percy Jackson fans another window into this literary world. In the next novel, the story will focus on Nico di Angelo and Will Solace traveling in Tartarus to save Bob the Titan.

Under the Rick Riordan Presents label, Yoon Ha Lee’s next book in the Thousand Worlds series Tiger Honor releases January 4, 2022. The story takes fans back to the incredible sci-fi world of Yoon set in Dragon pearl. In Tiger Honor We follow a non-binary character named Sebin and his experiences in joining the World Thousand Space Forces. What was considered an adventure turns out to be more of a nightmare for the young character.

Roseann A. Brown debuts imprint with new book Serwa Boateng’s Guide to Vampire Hunting. The book fits the Rick Riordan Presents label perfectly as Brown introduces readers to Ghanaian magic, more myths and monsters, and as usual, college shenanigans. Serwa Boateng’s Guide to Vampire Hunting is scheduled for release on September 6, 2022.

The Storm Rider author JC Cervantes is back with a spinoff series titled Lords of the night: a romance in the shadow of Bruja. The book follows Renata Santiago as she investigates aliens, deals with more gods, and confronts the Nine Aztec Lords of the Night. The book has an expected release date of October 4, 2022.

On the screen :

Lucasfilm recently announced that they will be adding its StageCraft LED virtual production system in their Vancouver studios. The reason this is good news for the Percy Jackson show is that if the production shoots in Vancouver, it will be able to access incredible technology to bring Rick Riordan’s literary world to life.

Riordan recently spoke about visiting ILM and Lucasfilm and looking at how The Mandalorian was filmed. Praising the tech, Riordan also mentioned that Percy Jackson’s show will most likely be filmed in Vancouver and hopefully start production by June 2022.

Finally, Riordan posted on its website that the show’s production process continues with work on the first four scripts and is expected to be completed by January. Riordan believes this would be the last hurdle for the studio’s official green light.

What does that mean

We’ve announced new books for the Rick Riordan Presents imprint, and they sound amazing. While Disney + Day hasn’t given us any word on Percy Jackson’s next show, it’s safe to assume production on the next show will begin in the New Year. The fact that Lucasfilm now has the same technology used in the production of The Mandalorian in their Vancouver studios is a big sign of the quality we will be receiving with Percy Jackson’s upcoming show.


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Peter Jackson explains how Tolkien stopped a Beatles LOTR movie https://semiospectacle.com/peter-jackson-explains-how-tolkien-stopped-a-beatles-lotr-movie/ Thu, 25 Nov 2021 01:21:07 +0000 https://semiospectacle.com/peter-jackson-explains-how-tolkien-stopped-a-beatles-lotr-movie/ In 1968, Peter Jackson was only six years old and therefore had no idea what events would later have had such a big impact on his career as a director. This is the year author JRR Tolkien refused the Beatles permission to make a film version of his fantasy epic The Lord of the Rings. […]]]>

In 1968, Peter Jackson was only six years old and therefore had no idea what events would later have had such a big impact on his career as a director.

This is the year author JRR Tolkien refused the Beatles permission to make a film version of his fantasy epic The Lord of the Rings.

Fast forward 36 years and The Return of the King, the final film in Jackson’s trilogy adaptation of the literary classic, would tie the record for most Oscar wins in a year – 11, including best director for Jackson .

Oh, how things might have been different if it had been the Fab Four with Frodo.

The Beatles may have lost to Jackson when it came to airing The Lord of the Rings on the big screen, but now these popular culture giants have come together for the three-part documentary, which runs for almost seven o’clock, Get Back, for Disney +.

The project saw Jackson restore over 50 hours of clips from the 1970 documentary Let It Be and piece them together to tell a more positive version of what happened in the studio in January 1969.

Working with the Beatles also allowed Jackson to ask Sir Paul McCartney what really happened with their version of The Lord of the Rings.

Peter Jackson gathered over 50 hours of never-before-seen footage to make Get Back

Speaking from New Zealand, Jackson admits he was curious to find out the truth about the case.

“I gathered little information. I asked Paul about it. Ringo doesn’t remember much,” Jackson said.

“What I understand is that Denis O’Dell, who was their Apple movie producer, who produced The Magic Christian, had the idea to make The Lord of the Rings.

“When they (the Beatles) went to Rishikesh and stayed in India, it had been about three months with the Maharishis in early 1968, he sent the books to the Beatles.

“I think there are three, he sent each of the Beatles a book. I don’t think Ringo had one, but John, Paul and George each have a Lord of the Rings book to read in India. . And they were excited about it. “

However, the author’s intervention – who died in 1973, three years after the Beatles split – meant that was not the case, Jackson explains.

“In the end, they couldn’t get the rights to Tolkien, because he didn’t like the idea of ​​a pop group making a story. So he was rejected by him. They tried to do it. at one point they were seriously considering doing it in early 1968. “

Lord of the Rings trilogy characters

The Lord of the Rings trilogy starred Elijah Wood as Frodo and Sean Astin as Sam

It has been suggested that if the film had gotten the nod it would have seen McCartney as Frodo, Starr as Sam, Lennon as Gollum, and Harrison as Gandalf. The choice of the director of the Beatles? Stanley Kubrick, Fresh Out of 2001: A Space Odyssey.

Jackson does not refute these suggestions. “Apparently,” he said, adding, “Paul didn’t remember exactly when I spoke to him, but I think he did.”

He also acknowledges how different his own life could have been if The Beatles had already made The Lord of the Rings.

“Paul said, ‘Well, I’m glad we didn’t, because you have to do yours and I liked your movie.’ But I said, ‘Well, it’s too bad you didn’t, because it would’ve been a musical.’

“What would the Beatles have done with a Lord of the Rings soundtrack album? It would have made 14 or 15 Beatles songs that would have been pretty amazing to listen to.

“So I have two minds on this. I would have loved to hear this album, but I’m also glad I had the chance to make the films. But those songs would have been fascinating.”

Instead, more than five decades later, Jackson had his own chance to be a part of Beatles history.

In the summer of 2017, he met with Apple Corps, the Beatles’ company, to discuss a possible collaboration on a virtual reality exhibit.

A scene from Get Back

The Beatles: Peter Jackson says they’re the only band he’s ever loved

Obsessive of the Beatles (“I’ve never liked another band but the Beatles”), Jackson asked a question he had always wanted to know the answer to. What happened to extracts from Michael Lindsay-Hogg’s documentary Let It Be in 1970?

The answer delighted him. “They said, ‘We have everything.’ As a fan, I was sitting there saying, “Yeah.” They said they were thinking of using it for a standalone documentary and they didn’t have a filmmaker attached.

“The only time in my life that I did that, I raised my hand and said, ‘If you’re looking for someone, please think of me.'”

He had been offered the job at the end of the day and had spent the next four years of his life working on Get Back.

Soldiers of the First World War

World War I silent film footage painstakingly restored by Peter Jackson

He used techniques similar to those used in his World War I documentary They Shall Not Grow Old to restore hours of glorious never-before-seen footage from The Beatles creating some of their best-known songs from scratch.

Jackson has been at the forefront of technology for over two decades. Earlier this month, he sold the visual effects division of his company Weta Digital for a whopping £ 1.2bn.

Peter Jackson

Peter Jackson

However, he believes there is a futuristic project that will never come to fruition. Jackson says there’s no way the Beatles would make an Abba and go on tour as digital avatars.

“The Beatles have the tragic complication that two of them aren’t alive. That you could do that and portray George and John in any way they liked, that would be a difficult thing. It gets a lot more fishy. I don’t think you’ll ever see that with The Beatles. “

A scene from Get Back

A scene from Get Back

He is however very open to more collaborations with the Beatles.

“I would love to work with The Beatles again. I love working with The Beatles now. However, I don’t think there is any other movie collection in the vault that I can get my hands on. is the Golden Egg. “

It may have taken over half a century, but by teaming up with Jackson, The Lord of the Rings and The Beatles are finally united. One group to rule them all.

Get Back is on Disney + starting November 25.


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Every universal horror movie Hammer remade, ranked https://semiospectacle.com/every-universal-horror-movie-hammer-remade-ranked/ Sun, 21 Nov 2021 00:15:00 +0000 https://semiospectacle.com/every-universal-horror-movie-hammer-remade-ranked/ Horror movies come in waves. One of the first started in 1931 with the release of James Whale Frankenstein and Tod Browning’s Dracula. Both in haunting black and white, these films starred Bela Lugosi (Dracula) and Boris Karloff (Frankenstein’s Monster). Continuing the success of these films, Universal Studios has released a plethora of horror films […]]]>

Horror movies come in waves. One of the first started in 1931 with the release of James Whale Frankenstein and Tod Browning’s Dracula. Both in haunting black and white, these films starred Bela Lugosi (Dracula) and Boris Karloff (Frankenstein’s Monster). Continuing the success of these films, Universal Studios has released a plethora of horror films featuring monsters both adapted from literature and originally created, and it was these films that made Universal a studio. powerful.

RELATED: The 10 Fictional Characters Who Appeared In Most Movies

The Universal line has become iconic characters in pop culture and a common face on Halloween, and their eponymous features have been remade several times – first in the 1950s-60s, by British studio Hammer. Only a few of Hammer’s films were direct remakes of Universal, and some monsters like the Invisible Man and the Creature from the Black Lagoon were excluded from Hammer’s catalog entirely. Hammer’s films were also shot in spooky technicolor, with lots of blood splatter effects, which made for a very different experience.


5 Wolfman and the werewolf curse are two different werewolf stories

Universal Werewolf Hammer

1941 The werewolf wasn’t the first werewolf movie produced by Universal, but it’s the most famous. The cast consists of many Universal Horror regulars – Lon Chaney Jr. as Larry Talbot (the titular werewolf), Claude Rains, Evelyn Ankers, and even a brief but important appearance for Bela Lugosi. Missing from any source beyond the general werewolf myth, Wolf man the beats often echo those of the whale Frankenstein – a tragic monster pursued by provincial Europeans. Still, it comes across as an often potent horror piece.

RELATED: 10 Things You Need To Know About Marvel’s Werewolf At Night

The same can’t be said for Hammer’s first werewolf photo, The werewolf curse. Rather than contemporary Wales, Curse is located in the 17th century. The film spends much of its first half jumping from one pellet to a new one – this scattered storytelling makes the lack of source material even more evident than in The werewolf. The film’s claim to fame is that it was Oliver Reed’s first leading role; he’s far from bad, but the absence of the usual Hammer stars Christopher Lee and Peter Cushing is felt.

4 The phantom of the opera reinvents history

Universal Hammer of the Phantom of the Opera

While The Phantom of the Opera isn’t as famous as Dracula or The Frankenstein Monster, the Phantom debuted at Universal before either. The studio first produced a silent film in 1925, starring Lon Chaney Sr. Ghost is a literary adaptation, more precisely from 1910 by Gaston Leroux The Phantom of the Opera. In 1943, Universal released a second Ghost film, this one with color, sound, and Claude Rains in the title role. It was still two decades for another The Phantom of the Opera, this one by Hammer.

Hammer’s adaptations were generally even less faithful than Universal’s – for Ghost, they only followed the broadest features. The ghost itself is completely reimagined, with a different, nicer backstory and ending. His deformity is also the result of injuries sustained later in life, rather than the marks of his birth. the fisherman Ghost is Hammer’s most bloodless remake, and as in Curse of the werewolf, the absence of Lee & Cushing casts a shadow. At least this time, Michael Gough helps fill the void as the hateful Lord Ambrose D’Arcy.

3 The mummy remakes a universal horror movie, but not the obvious

The Universal Mummy Hammer

After Frankenstein the year before, 1932 saw Boris Karloff return to Universal for The Mummy. While Bram Stoker’s novel Jewel of the Seven Stars could have provided sources from the same well as Dracula, the filmmakers went in an original direction. Karloff played Imhotep, a mummy desperate to claim a woman he believed to be the reincarnation of his lost love, Princess Anck-su-namun.

hammer The Mummy, created in 1959, was the fourth collaboration between Terence Fisher, Christopher Lee and Peter Cushing. As in the previous ones, Cushing plays the hero – archaeologist John Banning – and Lee the villain – the mummy, renamed Kharis. Functionally, The Mummy is a slasher movie – the real villain is Mehmet (George Pastell), an Egyptian angry with Banning’s team for disrupting the holy ground, and who uses Kharis as an instrument of revenge. Lee as Kharis doesn’t quite have the same presence he brings to Dracula or Frankenstein’s creature, possibly because the mummy is featureless other than his eyes. Yet its imposing size means the creature is still very frightening.

2 Frankenstein’s Curse Straddles The Book Even Further Than James Whale Did

Frankenstein Universal Hammer

The Universal and Hammer cycles both started in earnest with an adaptation by Mary Shelley. Modern Prometheus. James whale Frankenstein is a classic, although it later surpassed with the sequel Bride of Frankenstein. Many of the most iconic elements of the creature’s history, layout and appearance in Igor at “it’s alive – alive!” come from the Whale movie, not the pages of Shelley. Universal product 7 Frankenstein movies in total. Almost 10 years after the last – Abbott and Costello meet Frankenstein – Hammer reintroduced the story to the public in 1957.

RELATED: Every Universal Frankenstein Movie Ranked, According To Critics

To be frank, Fisher’s Frankenstein is not as good as Whale’s. It’s not a bad movie, but it follows Shelley’s story even more broadly. Cushing’s Doctor Frankenstein may have the same name as Shelley’s, Victor (as opposed to Colin Clive’s “Henry”), but the not-so-good Doctor is reimagined from a naive student beyond his grasp to a sociopathic murderer. – its path of itself – destruction is not tragic, although well deserved. As for the monster – although Lee brings an intimidating presence, his creature lacks the humanity of Shelley’s Adam or even Karloff’s monster. His deadly green skin makes him more grotesque than Karloff, a technicolor advantage over black and white.

1 Dracula’s horror is even better than its universal predecessor

Universal hammer Dracula

Universal and Hammer both followed their Frankenstein debuts with an adaptation of Dracula. Horror of Dracula makes similar deviations from previous iterations which Frankenstein’s Curse did – the size of the cast is rationalized, some motivations are changed (by Horror, Jonathan Harker is a colleague of Van Helsing aware of Dracula’s true nature from the start), and the villain’s defeat is different.

Technicolor gives Horror of Draculathe images of just the right pop. The blood appearing onscreen, in its (unnatural) red hue, definitely makes the horror more real – the majority of that credit, however, has to go to the star. Bela Lugosi is the model Dracula’s pop culture adapted, but while Lugosi is iconic, Christopher Lee is both creepier and sexier at the same time. Even deprived of his magnetic voice for almost a dozen lines spoken within five minutes of his appearance, it’s easy to imagine being trapped by Lee’s Dracula. The close-up where it reveals its true nature through bloodstained fangs is one of the most frightening forms devoted to celluloid.

NEXT: Castlevania Anatomy: Five Weird, Raw Facts About Dracula’s Body


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Gone But Not Forgotten Theaters and Theater Companies Part 5 – Times Square Chronicles https://semiospectacle.com/gone-but-not-forgotten-theaters-and-theater-companies-part-5-times-square-chronicles/ Fri, 19 Nov 2021 05:11:59 +0000 https://semiospectacle.com/gone-but-not-forgotten-theaters-and-theater-companies-part-5-times-square-chronicles/ In Part 1, we discussed The Pearl Co., then WPA and Circle Rep. In part three, The Hudson Theater Guild and Circle in the Square and in part 4 The American Place Theater and The Women’s Project. The American Jewish Theater was founded by Stanley Brechner in the Upper East Side YMHA, then moved to […]]]>

In Part 1, we discussed The Pearl Co., then WPA and Circle Rep. In part three, The Hudson Theater Guild and Circle in the Square and in part 4 The American Place Theater and The Women’s Project.

The American Jewish Theater was founded by Stanley Brechner in the Upper East Side YMHA, then moved to the basement of the W. 26th St. Theater under a supermarket, which was the original home of the Roundabout. Brechner made the Israel Horovitz fountain pen trilogy in the Upper East Side space and, on W. 26th Street, exemplary covers of musicals such as Milk and honey, rags and The Rothschilds, as well as a new musical called A refined and private place (another that I had Samuel French acquire), which should have moved but didn’t, and some nice new pieces such as Born guilty by Ari Roth (who later founded Theater J in Washington, DC, a Jewish theater founded by former American Place Theater literary director Martin Blank). In the end, Brechner could only afford to do projects with the money attached (a disturbing trend off Broadway that I will discuss in another chapter), usually a guaranteed harbinger of the end, eventually falling back. and running away to Columbia with all the money he had. on the left (which I guess came from subscriptions as well as grants).

Christiane Noll and Glenn Seven Allen
in A refined and private place
(Photo © Carol Rosegg)

For many years there was a fine theater company off Broadway, the Lambs Theater Co., directed by Carolyn Rossi Copeland, which operated out of the Lambs Club in W. 44e Street. They produced shows in the smaller of the two spaces, downstairs, and rented out the larger upstairs for commercial productions. Their biggest hit in the ground floor theater was the musical Smoke on the mountain I had seen this at the McCarter Theater in Princeton during her last week and called Carolyn and asked her to see it because usually she was doing shows with a religious orientation and this one was for a group of gospel, The Sanders Family Singers, performing at a Southern Baptist Church, much to the chagrin of more conservative members but enthusiastically supported by the pastor. Carolyn couldn’t make it to the McCarter to see him there, but she invited the cast to play him for her at the Lambs and chose him on the spot. He had a long run there. The upstairs theater was an exquisite space designed by Stanford White. Some of his memorable hits were James Sherman Handsome jest, produced by Arthur Cantor and Carol Ostrow, who also produced Eileen Atkins in a one-woman show based on Virginia Woolf A room of your own. by Tina Howe Painting churches, starring Marian Seldes in one of her most memorable performances, Donald Madden and Elizabeth McGovern, originally produced by Second Stage at one of the former Theater Row theaters, moved there for successful commercial release . Incredibly, this beautiful theater was ripped off several years ago. What indignation! The Lambs Theater Co. was long gone.

Elizabeth McGovern and George N. Martin in Painting churches Photo by Martha Swope

Jewish Rep was created by Ran Avni in a small space at 14th St. YMHA, where it operated for several years before moving to Playhouse 91 in the YMHA on the Upper East Side (which no longer appears to be used for the theater. ). I have seen many memorable plays and musicals produced by the Jewish representative at WHMA and Playhouse 91, like that of Susan Sandler Delancey crossing (another gem I landed for Samuel French), directed by Joan Micklin Silver, which went on to become a blockbuster film directed by Mrs. Silver, starring Amy Irving and Peter Riegert, and the musical Theda Bara and the border rabbi, directed by Lynne Taylor-Corbett, who deserved a business transfer but didn’t get it. Then, several years ago, the Jewish representation disappeared. I still don’t know what happened to him.


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Beyond Earth: ArtScience Museum’s New Films and Virtual Reality Experiences Will Get You High in Space, Lifestyle News https://semiospectacle.com/beyond-earth-artscience-museums-new-films-and-virtual-reality-experiences-will-get-you-high-in-space-lifestyle-news/ Wed, 17 Nov 2021 04:48:00 +0000 https://semiospectacle.com/beyond-earth-artscience-museums-new-films-and-virtual-reality-experiences-will-get-you-high-in-space-lifestyle-news/ For thousands of years, mankind has looked into the deep, dark sky and wondered: what is there? And over the past few decades, we’ve taken small steps into the endless mysteries of space, discovering worlds and wonders beyond imagination. Beyond space travel, this limitless curiosity has spilled over into the creation of cutting-edge artistic experiences, […]]]>

For thousands of years, mankind has looked into the deep, dark sky and wondered: what is there?

And over the past few decades, we’ve taken small steps into the endless mysteries of space, discovering worlds and wonders beyond imagination.

Beyond space travel, this limitless curiosity has spilled over into the creation of cutting-edge artistic experiences, and nowhere more than at the ArtScience Museum in Singapore.

From November 25, 2021 to February 27, 2022, the museum launches us into space with Beyond Earth, a program of films and works of art in virtual reality on the interstellar theme.

Fancy sci-fi thrillers, dreamy space travel documentaries, and even a flight to the moon through a VR headset? Here is our recap of the highlights of the program.

Immerse yourself in VR space missions with Spacewalkers

PHOTO: Faber Courtial

Most of us may never be able to live our astronaut dreams, but here’s the next best thing: a virtual reality jump into space.

In the all-new VR gallery, ArtScience Museum is poised to push the boundaries of immersive experience with Spacewalkers.

Spacewalkers closely follows Hyperrealities – the VR Gallery’s premier show starring contemporary artists Olafur Eliasson, Marina Abramović, and Anish Kapoor – and you can expect tickets to sell out just as quickly.

Designed by leading German VR studio Faber Courtial, Spacewalkers showcases two exhilarating VR artworks that immerse us in space.

First shown at the 2020 Venice International Film Festival, the experiences were shaped with exclusive archive footage and NASA recordings of the Apollo missions – meaning you can expect to relive a slice of it. story in rich and authentic detail.

1st Step – From Earth to the Moon (2019) traces the footsteps of the legendary Apollo mission that took humanity’s first step on the moon.

Just forget about learning about their awe-inspiring journey – now you can experience the view from inside the command pod, dive into the dizzying depths of space, and soak up the moonscapes recreated in 3D.

Meanwhile, 2nd Step – From the Moon to Mars and Beyond (2018) takes us beyond Earth’s orbit and towards the mysterious red planet – Mars.

This VR film propels us through the breathtaking backdrops of current and future space missions, drawing on the catchy music of Debussy and Ravel to introduce an emotional dimension to the documentary.

Spacewalkers will take place from November 25, 2021 to February 27, 2022 at the VR Gallery, ArtScience Museum, 6 Bayfront Ave, Singapore 018974.

Tickets are priced at $ 16 (Singaporean adults) and $ 12 (Singaporean concession).

Watch space-themed movies in Beyond Earth

The space that makes us human through the Karman project. PHOTO: NOWNESS

The latest series in the ArtScience on Screen program, Beyond Earth is nothing less than a cinematic journey to the stars.

From award-winning thrillers to groundbreaking documentaries, the rich selection covers the fantasies of youth about spaceflight, meteorite explorations and poetic odes to the moon.

The best part? Most of the movies are free entry, so be sure to reserve your ticket to the space quickly.

November-December films

Arrival. PHOTO: 2016 Xenolinguistics, LLC

This holiday season, you can expect to see a lineup of family-friendly films.

Take a journey into the not-so-distant future with Dennis Villeneuve’s acclaimed Home (2016), based on Ted Chiang’s award-winning short story, Story of Your Life.

With the arrival of twelve alien spaceships through Earth, linguist Louise Banks must hurry to decode the language of aliens, in order to unravel their mysterious messages about a “weapon” – one with disturbing implications for the perception of time by humanity.

For your little ones, let their imaginations run wild with two fantastic fun animations.

Wallace and Gromit: A Grand Day Out (1989) is a throwback to Nick Park’s first award-winning comedy series, in which eccentric inventor Wallace and his dog take off in a homemade rocket to find out if the moon is really made of cheese.

Meanwhile, Moomins and the Comet Chase (2010) features Moomintroll’s adventure in a distant observatory with his forest friends, where they learn terrible news: a fierce comet is blazing towards Moominvalley.

January-February films

Gagarin. PHOTO: Anticipate the photos

For the coming year, moviegoers can look forward to a provocative line-up of arthouse films, including premieres in Southeast Asia and Singapore.

A highlight to be grabbed is certainly Gagarin (2020) – a debut film by Fanny Liatard and Jeremy Trouilh that won acclaim at Cannes 2020.

Set in the decaying Parisian estate of Gagarine Cité, this haunting film stars 16-year-old dreamer Yuri – a boy who wants to be an astronaut and sets out to save his beloved home from demolition by turning it into his “ship. spatial “. .

Premiere in Singapore, To The Moon (2020) by Tadhg O’Sullivan is a dreamlike, cinematic ode to Earth’s only natural satellite – one that weaves archival footage and literary extracts into a meditation on meaning of the moon for people down through the centuries.

Fireball: Visitors to Darker Worlds. PHOTO: Sandbox films

Documentary lovers, Fireball: Visitors from Darker Worlds (2020) should tickle your imagination.

Directed by Werner Herzog and Clive Oppenheimer, the film explores the overwhelming cultural impacts of meteorites through time – from the asteroid that killed the dinosaurs to the black stone that allegedly fell from heaven.

Then embark on a transcontinental journey with Planetary (2015), a documentary by Planetary Collective USA.

In the face of climate change, this visually stunning film calls for a change in mentality in the perception of our planet as interconnected.

Beyond the earth will take place from November 25, 2021 to February 27, 2022 at the ArtScience Museum, 6 Bayfront Ave, Singapore 018974.

Paid movies (Gagarin and Planetary) are priced at $ 5, while admission to all other movies is free. It is recommended to book in advance for film screenings; book your slots online here.

ALSO READ: Have you ever seen headphones made from chamber pots? The ode to the sound art of the ArtScience museum is to be seen (and heard)

This article first appeared in Nomads of the city.


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Mothering Sunday movie review: superbly played but the plot clashes https://semiospectacle.com/mothering-sunday-movie-review-superbly-played-but-the-plot-clashes/ https://semiospectacle.com/mothering-sunday-movie-review-superbly-played-but-the-plot-clashes/#respond Fri, 12 Nov 2021 08:33:09 +0000 https://semiospectacle.com/mothering-sunday-movie-review-superbly-played-but-the-plot-clashes/ Review at a glance T he posters for this period drama suggest we’re expecting hi-jinks at Downton Abbey. Yet the secret romance, at the heart of the story, blows this comparison out of the water. It’s not what you would call comfortable. There is so much to recommend for Eva Husson’s adaptation of Graham Swift’s […]]]>
T

he posters for this period drama suggest we’re expecting hi-jinks at Downton Abbey. Yet the secret romance, at the heart of the story, blows this comparison out of the water. It’s not what you would call comfortable.

There is so much to recommend for Eva Husson’s adaptation of Graham Swift’s 2016 novel. Josh O’Connor, like the soft-spoken, thoughtful Paul Sheringham, is hypnotically naturalist. Odessa Young (witch and yet doll-like; it’s like Elisabeth Moss and Felicity Jones have been poured into one body) is as good as orphaned maid Jane Fairchild.

Jane catches Paul’s attention and turns out to have her own spin eyes. It is she who will have to make sense of the death and destruction surrounding Paul’s family and two other wealthy Berkshire clans. Both of Paul’s brothers were killed in World War I. Mr. and Mrs. Niven (Colin Firth and Olivia Colman), Jane’s employers, have lost two sons. Are Firth and Colman captivating? Silly question. The two manage to be overwhelmed with grief, in surprisingly precise and different ways. Mr. Niven is beset by misery. Mrs. Niven is very toothy.

Odessa Young plays the maid Jane Fairchild

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In scenes set decades later, Sope Dirisu is also found to be memorable as Donald, Jane’s sweet but satirical lover. And Glenda Jackson casually wastes away, as famous author Jane becomes.

Uh, about that. The big problem with Mothering Sunday is that no real maid (at least not working in England, in the early part of the twentieth century) has made this particular career change.

So much about Jane’s character bow pot. Why is her accent virtually the same as Paul’s? And how is it that when she leaves Niven’s house, she so easily finds a job as a bookstore saleswoman? His employer (and, later, his literary agent) seem too willing to see beyond his humble origins. For all the grainy and sexy details, Mothering Sunday could be a Dickensian fairy tale. Refined accents. Benevolent patrons. It’s Oliver Twist, again.

Josh O’Connor: Jane’s love interest in the upper class

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This writer Alice Birch (Lady Macbeth; Normal People) embarks on this pickle shows how difficult it is to explore the British class system. Birch wants to give us a strong and fluid heroine. Mothering Sunday is bolder than the aforementioned Downton Abbey (and also eschews the My Fairy Lady and Merchant Ivory tropes). It even goes against the trend of turning a charismatic proletariat into a sacrificial victim, which some argue happens in both The Go-Between and Atonement.

So where does he leave us? This film is not particularly subtle but it is well intentioned and engaging. Jane’s lover asks her about the book she’s working on. He said, “Is it a van or a whale?” Jane says she isn’t sure, which seems fair. His opus, like the film itself, is light and strong at the same time.

In theaters now. 110 minutes, 15


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Dumfries Moat Brae receives over £ 250,000 to become a ‘world class’ tourist attraction https://semiospectacle.com/dumfries-moat-brae-receives-over-250000-to-become-a-world-class-tourist-attraction/ https://semiospectacle.com/dumfries-moat-brae-receives-over-250000-to-become-a-world-class-tourist-attraction/#respond Wed, 10 Nov 2021 08:15:39 +0000 https://semiospectacle.com/dumfries-moat-brae-receives-over-250000-to-become-a-world-class-tourist-attraction/ Moat Brae receives more than a quarter of a million pounds sterling to become a ‘world class’ tourist attraction. Design company MinaLima – the creative team behind the Harry Potter film universe and exhibitions such as The Wizarding World of Harry Potter – are ready to bring their magic to Dumfries. The team will create […]]]>

Moat Brae receives more than a quarter of a million pounds sterling to become a ‘world class’ tourist attraction.

Design company MinaLima – the creative team behind the Harry Potter film universe and exhibitions such as The Wizarding World of Harry Potter – are ready to bring their magic to Dumfries.

The team will create a unique, immersive exhibit transforming large areas of the home into a “hell of ever-changing but beloved literary landscapes” focused on classic children’s literature.

A cash boost of £ 280,237 – from the government’s Community Renewal Fund – will fund the project and help Moat Brae emerge from the pandemic.

It was a multi-year £ 9million fundraising campaign that saved the Walter Newall-designed building on George Street in Dumfries from demolition and turned it into the Scottish Literature Center and children’s stories thanks to its JM Barrie and Peter Pan connections.

It opened in June 2019 and drew 26,000 people in its first nine months before the Covid-19 strike, causing closures and restrictions.

Moat Brae Director Dr Simon Davidson said: “We are delighted to have been successful in our application to the UKCRF. This is an ambitious project that will see us partner with MinaLima, the design team behind the graphic universe of the Harry Potter film series, to create an immersive new exhibit based on their Classics children’s book series. for Harper Collins.



Moat Brae Director Dr Simon Davidson

“MinaLima’s style is incredibly imaginative and very unique and the books aren’t just filled with beautiful illustrations.

“We can’t wait to see what they have in store for our magical house.”

“This is a world famous brand and we anticipate that the exhibition will attract visitors to Dumfries from all over the world, which means the boost to the local economy will be substantial.

“I also hope this will give the people of Dumfries and Galloway a new cultural asset to be proud of.”

Although MinaLima will design the exhibition, its production will be handled by local companies and, through competitive bidding, it will offer young artists and artisans the opportunity to work with one of the most renowned graphic design companies. in the world. The exhibition is expected to go live next summer 2022 and is expected to attract visitors from around the world.

Peter Pan Moat Brae Trust President Flora Burns said: “This is such welcome news and we feel very lucky to have won. The award will help us see through our long-standing ambition for a world-class tourist destination at Moat Brae, the birthplace of Peter Pan, inspired by classic children’s books.

“We can’t wait to keep the work going and get it all done in 2022 without the need for pixie dust. “

Dumfriesshire MP David Mundell said: ‘I am delighted that these new UK funds are targeted at projects with enormous potential which could be of social, educational and economic benefit for the region.

“The immersive exhibit at Moat Brae will provide visitors with another top notch quality experience, building on all the work done in recent years to restore the building. “


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‘You can’t separate them’: the unlikely love story of Guy Clark, Susanna Clark and Townes Van Zandt | Documentary films https://semiospectacle.com/you-cant-separate-them-the-unlikely-love-story-of-guy-clark-susanna-clark-and-townes-van-zandt-documentary-films/ https://semiospectacle.com/you-cant-separate-them-the-unlikely-love-story-of-guy-clark-susanna-clark-and-townes-van-zandt-documentary-films/#respond Mon, 08 Nov 2021 07:19:00 +0000 https://semiospectacle.com/you-cant-separate-them-the-unlikely-love-story-of-guy-clark-susanna-clark-and-townes-van-zandt-documentary-films/ When director Tamara Saviano decided to make a film about American songwriter Guy Clark, she knew she couldn’t tell her story without covering the lives of two other creative souls – his wife, the songwriter. and painter Susanna Clark, and her best friend, American star Townes Van Zandt. “They influenced him so much, and he […]]]>

When director Tamara Saviano decided to make a film about American songwriter Guy Clark, she knew she couldn’t tell her story without covering the lives of two other creative souls – his wife, the songwriter. and painter Susanna Clark, and her best friend, American star Townes Van Zandt. “They influenced him so much, and he influenced them too,” Saviano told The Guardian. “You cannot separate them.”

At the same time, their intertwined lives suffered deep fractures and brutal injuries. The story Saviano tells in the new documentary Without Getting Killed or Caught, named after the lyrics of one of Clark’s best-known songs, LA Freeway, traces a wide arc of personal trauma and creative triumph. It involves violent suicide, multiple addictions and ruinous depression. But, despite all of this, the central characters forged a three-way love that, while unconventional, enriched them all. To reveal the intimacies of the story, Saviano pulled off a real stunt – the audio and written diaries left by Susanna Clark after her death from cancer in 2012. Throughout the film, the diaries are read by award-winning Sissy Spacek. of an Oscar. “They are a gold mine,” Saviano said of the bands.

That the director was able to get them from Guy Clark shows the confidence he had in her. Saviano, a music journalist, got to know the songwriter, who died of lymphoma in 2016, more than ten years ago, when she wrote his memoir, which shares the name of his film. Surprisingly, Clark never listened to or read his wife’s diaries when he bequeathed them to Saviano. “The guy said, ‘All that’s in there is Susanna’s truth and you’re welcome,’” the director said. “He wasn’t afraid of it. I thought it was really brave of him.

Then again, Clark’s open-mindedness dovetailed with the genre of songs he wrote. Like John Prine, Clark used plain language in his songs to achieve literary feats. Likewise, the music he composed infused basic American genres, like folk, blues, and country, with fresh tunes, which he delivered in a voice that communicated both dry humor. and a ready empathy. Throughout the film, Guy’s friends, including American stars Rodney Crowell, Steve Earle, and Vince Gill, speak in awe of the craft in his songs, as well as his indifference to business concerns. They also speak openly about the complications of his key relationships.

Guy’s connection with Susanna began in tragedy. When they met, he was dating his sister, Bunny, who had become pregnant. Shortly after, she committed suicide. “There was no single reason that anyone could identify,” said Saviano. “There was a newspaper article that said she was suffering from depression but nobody really knows.”

Guy wrote the poignant song for Bunny, She Ain’t Going Nowhere. The loss of her sister has hit Susanna hard. In the diary, she writes: “I was desperate to hold on to my sister and Guy was the closest thing. Because of our grief for Bunny, we fell in love.

Back then, in the late ’60s, Guy had a day job as Artistic Director for PBS Television, but he wanted to devote himself fully to songwriting. He was inspired by his friend Townes Van Zandt who had already started a prolific career. After Susanna met Townes, they forged a bond as deep as she had with her husband. “Guy and I were married, but Townes and I were soul mates,” she wrote in her diary.

Susanna and Townes’ relationship was not just emotional but, at times, sexual. Oddly, this last aspect is not covered in the film. “To me it didn’t matter,” Saviano said of the omission. “It was really about love and friendship between them. Guy knew it was sexual and it was just accepted. We have to keep in mind that they were all young adults at the time. free love from the 60s. And it’s not like Guy was the perfect husband, far from it. They were all individual artists and they wanted to do what they wanted to do. They weren’t very attached to conventions in no part of their life.

Photos from the movie Heartworn Highways: Guy and Susanna Clark, Townes Van Zandt. Photograph: handout

As Steve Earle says in the film, “The relationship between Susanna and Townes, no one talked about it because it was a little too intimate to be in the same room sometimes. And no one raised questions that no one wanted answered.

Saviano thinks Townes gave Susanna something Guy couldn’t. “He had that spiritual and vulnerable side and Guy didn’t share it,” she said. “Guy was a much more stoic and pragmatic person. I think he liked that Townes took some of the pressure off him so he didn’t have to be the lovely husband all the time.

Beyond their friendship, the trio’s bond centered around the art of songwriting. To celebrate, Guy, Susanna and Townes formed an informal lounge of fellow composers. Susanna used to tape some of their conversations, several of which are in the movie. Some capture them drunk, a key part of their nights together. Although Susanna most often expressed her creativity as a painter – evidenced by her works that adorn the album covers of Guy, Emmylou Harris, Willie Nelson and others – she also wrote songs. His had more commercial appeal than Guy’s or Townes’, which caused some jealousy. Two tracks she co-wrote have become No. 1 country hits: I’ll Be Your San Antone Rose for singer Dottsy, and Come from the Heart sung by Kathy Mattea. While some of Guy’s songs performed well thanks to covers from artists like Jerry Jeff Walker, Ricky Scaggs, and Vince Gill, his own albums in the mid-70s bombed. Worse yet, he fought fiercely with his record company for their insistence on more comprehensive arrangements and production. Even the use of drums in his recordings irritated him, believing that they distracted attention from the heart of the song. Van Zandt went further, doing everything possible to alienate even the leaders in Nashville who tried to help him.

Guy Clark has released five albums on major labels and hated them all, although they contain classic tracks he wrote, like Desperados Waiting for a Train or The Randall Knife. In the early 1980s, he left the company for five years. At the end of the decade, he returned to record for the kind of independent labels that allowed him to play largely with an acoustic guitar, as he preferred. His work ended up anticipating the Americana movement, for which he was subsequently awarded numerous awards in this field. “Guy has legendary status there,” Saviano said.

Guy Clark in 2013.
Guy Clark in 2013. Photography: RP

At the same time, her marriage to Susanna went through terrible times, leading to a breakup for several years. “She’s had enough of my bullshit,” Guy says in the movie, while in Susanna’s diaries she expresses her need to sort things out on her own. Over time, however, the depth of their connection brought them closer together and Townes remained a close part of their life. But by then Townes had started a fatal downward spiral, with addictions to both alcohol and heroin. “Today, Townes would have been diagnosed with bipolar,” Saviano surmised. “When he was young they gave him shock therapy and he lost all of his memory. So who knows what it did to their brain.

When Townes died at age 52 in 1997, Susanna went to bed and never left him. She also became addicted to the opioid Percocet. The director believes that “Townes’ death made the lingering grief she felt over the death of her sister even worse. But “because she had been in bed for 15 years, the people of Nashville called her crazy,” Saviano said. “I wanted them to know that Susanna wasn’t crazy. She was in mourning and never recovered.

The director said that one of the reasons she made the film was to restore Susanna’s reputation as well as to boost Guy and Townes’ work. Susanna died before she could comment on Saviano’s use of his diaries in the film. But, the director said she felt “pretty confident that her seal of approval is there. Quite frankly, I think Susanna guided this whole process from the hereafter.”

As proof, she points to strange connections between Susanna, Guy, and the diary’s narrator, Sissy Spacek, which she only discovered while making the film. In the 1970s, Spacek had learned to play the guitar from Guy’s first wife, Susan Spaw, and the actor recorded a song written by Susanna on his one and only album, in 1983. The director believes Guy and Susanna would have appreciated the fact that her film did not water down their complicated story. “Guy was not afraid of the truth,” she said. “None of them were. He said, “Yes, that’s life. This is what it was.


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Every role of Victoria Pedretti, ranked by IMDb https://semiospectacle.com/every-role-of-victoria-pedretti-ranked-by-imdb/ https://semiospectacle.com/every-role-of-victoria-pedretti-ranked-by-imdb/#respond Sun, 07 Nov 2021 02:00:00 +0000 https://semiospectacle.com/every-role-of-victoria-pedretti-ranked-by-imdb/ Victoria Pedretti has taken the film and television world by storm in recent years. When fans of drama and horror think of the truly captivating actors who are growing in popularity today, Victoria almost immediately comes to mind. RELATED: 10 Saddest Moments In The Haunting Of Bly Manor His breakout role in the incredibly popular […]]]>

Victoria Pedretti has taken the film and television world by storm in recent years. When fans of drama and horror think of the truly captivating actors who are growing in popularity today, Victoria almost immediately comes to mind.

RELATED: 10 Saddest Moments In The Haunting Of Bly Manor

His breakout role in the incredibly popular The Haunting Of Hill House The series was an incredible start to what continues to be an illustrious career filled with chilling performances. On IMDb, the hard work she does for each role has been given proper credit and rating.


9 “Katherine” in Shirley (2020) – 6.1

Victoria Pedretti dancing on a tree in Shirley

Shirley is a near-biography about horror and mystery writer Shirley Jackson whose writing process is interrupted when a newlywed couple comes to live with her and her literary critic husband. It stars Elizabeth Moss in the lead role.

While Victoria’s role in the film is not significant, she does bring a lively energy to the screen in every scene she finds herself in. His presence in the film is also a nod to fans of Hill House, because it’s one of many film adaptations in Shirley Jackson’s story. Katherine is something of a temptress, appearing to laugh with friends and dance in dreamy sequences with intense eye contact with the main character, Rose.

8 “Evelyn Porter” in Amazing Stories (2020) – 6.3

Evelyn and sam kiss in amazing stories, the cellar

Amazing stories is a very interesting anthology series detailing miracles and supernatural events. In Victoria’s episode, titled “The Cellar”, Sam discovers that the cellar of the old mansion he is repairing transports people back in time during intense storms.

In 1919, Sam met Victoria’s character, Evelyn. who yearns for a life where she can be herself and enjoy music, which her family disapproves of. She wants to go to the future with Sam but the two are separated, with her in the future and Sam in the past. Victoria is a timeless actress and fits into any epic, precise drama. She adapts perfectly to past and future settings and gives an incredible performance as a passionate, wide-eyed music lover.

7 “Heist Girl 1” in Star-Crossed: The Film (2021) – 6.5

Victoria Pedretti as a star-crossed heist girl

There really isn’t any role too small or too weird for Victoria and she brings her fiery energy to every set – including all of Kacey Musgraves’ music. Like many other musical artists, Kacey Musgraves turned his album into a movie and Victoria played the lead role in it.

RELATED: 10 Best Mental Health Music Videos

She features in the “simple times” segment and is a girl popular with Kacey and their friends, wearing a frosty pink metallic mini skirt and fuzzy pink cropped top. As a group, they don nun masks and chucks and rob a mall and bridal shop. It’s such a fun and different role for Victoria, and viewers can tell that she really enjoyed her time filming.

6 “Edie” in Uncovering Eden (2014) – 7.0

edie holding back tears upon discovering eden

Although Victoria has booked series and films, she started her career with several roles in short films. Discover Eden is a short film about Edie, a 16 year old teenage girl who is bullied into shedding her Jewish identity to accommodate her crush and friends. It’s a powerful film on the subject of race relations.

The story highlights the cruel and at times overtly racist and critical nature of teenagers, and how being blinded by teen romance can cause people to overlook this kind of behavior. While some of the slurs are a bit wacky, Victoria shows her ability to communicate complex emotions through simple facial expressions and looks. For one of his previous projects, his star quality is already shining.

5 “Girl” in Sole (2014) – 7.4

Victoria Pedretti as the girl in Sole

In another of her first film appearances, Victoria starred in viewing Anna Rosati’s poem “Sole”. Victoria is both visually represented in the short film and tells the poem through a voiceover. Its role in Unique is very different from other movies that fans may know her about.

Victoria’s acting is almost primal and aggressive, as she scratches her dirt covered skin and crawls naked through sharp branches into the forest. This love and appreciation for poetry is reminiscent of the now popular Dickinson, which presents Emily Dickinson’s poetry in many similar ways, such as voiceovers and abstract scenes. The short is available on Vimeo for anyone interested in seeing one of Victoria’s first moving performances.

4 “Dani Clayton” in The Haunting Of Bly Manor (2020) – 7.4

Dani Clayton & Jamie Taylor laugh and snuggle in bed in The Haunting of Bly Manor

Victoria’s role in the second season of the Haunted anthology series was a fan favorite. Dani Clayton is a teacher who leaves behind her troubled past to teach two traumatized children at Bly Manor in England.

Dani is a beloved character and fans have sought her happiness throughout the series. Many viewers thought Dani’s character deserved a better ending, wanting that she could be happy with Jamie. Dani maintains her cheerful optimism until the end, giving all she can to prevent further tragedies.

3 “Lulu” in Once Upon a Time in Hollywood (2019) – 7.6

Victoria Pedretti riding a horse and smiling in Once Upon a Time in Hollywood

Once upon a time in hollywood is a reimagining of the series of tragic Manson family murders that killed Sharon Tate. The film’s subplot follows Brad Pitt’s character, Cliff, exposed to the cult and community of Charles Manson.

RELATED: 8 Ways The Once Upon A Time In Hollywood Book Was Different From The Movie

Victoria plays Lulu, a member of the Manson family community, although her screen time was not very long, this role was a big deal for her. The film had a star cast including Leo DiCaprio, Margot Robbie, Brad Pitt and Kurt Russell – to name a few. He’s won two Oscars, one American Film Institute award, four Critics’ Choice awards, three Golden Globes and many more.

2 “Love Quinn” in Toi (2019) – 7.7

Love Quinn in You Season 3 Episode 10

Victoria’s most recent television role was Joe Goldberg’s love interest in the hit Netflix series, You. Everyone’s favorite stalker has finally found his perfect match in Love Quinn, a deceptively innocent boss turned murderer and mother to his child.

Victoria’s lineup really shows in Love. Not only can she be charming, but she can also be scared, angry, and evil. Victoria has the unique ability to make audiences understand and encourage her character, while Love is technically the greatest villain of Season 3. Her ability to always be sympathetic while murdering anyone who takes a second look at her husband. is really a gift.

1 “Nell Crain” in The Haunting Of Hill House (2018) – 8.6

Nell Crain is Victoria’s best-known role and the one that gave her acting career a boost. Her heartbreaking performance was a highlight of the hugely popular horror series. Adding the heartbreaking emotional aspect to the horror genre by focusing on the inner turmoil of children is part of what makes the show so fascinating.

Nell has one of the saddest arcs on the show and Victoria brings it to life to perfection. The intense emotions that she is able to communicate add a layer of gruesome realism to her story. Viewers can practically feel the angst and fear-induced paralysis of Nell thanks to Victoria’s incredible performance.

NEXT: The 10 Saddest Moments From The Haunting Of Hill House

Split image: Batman on the cover of The Dark Knight Returns, smiling Zack Snyder, George Washington crossing the Delaware.


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